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  • The image depicts a scene where two men are engaged in an activity involving a large sack. One man, wearing a blue coat, appears to be operating a scale or a weighing device to measure the weight of the sack being lifted by another man in a black shirt. The background shows a street with several structures and vehicles, suggesting a marketplace or an industrial area. There are also other people and containers visible in the background, contributing to the bustling atmosphere of the scene. Investigation Corruption, theft, murder... In eastern DRC, cocoa finances chaos Africa Uncensored, La Rédaction, Ukweli Coalition Media Hub
  • The image features a figure wearing a white shirt with vibrant colors and a design on the back. The background includes repeated images of a man, possibly a political figure, smiling and wearing a hat with a logo. The overall color scheme is purple, enhancing a dynamic atmosphere. The shirt's imagery suggests a message of confidence or defiance. In Burundi, a deeply desperate population and a regime on a knife edge Eric Nduwayo
  • The image features three prominent figures. One figure on the left is a man dressed in formal attire, raising one arm in a gesture that suggests defiance or empowerment. The central figure is an older man in a light blue blazer, appearing casual and confident as he walks. The figure on the right wears a military-style uniform with sunglasses, projecting authority. The background is a dark brown color, and the figures are outlined prominently. Étienne Davignon, last witness to Lumumba’s murder and King Baudouin’s gatekeeper Colette Braeckman
  • The image depicts a mural on a concrete wall, featuring a portrait of a man with gray hair and a thoughtful expression. The mural also includes a quote attributed to Nelson Mandela that reads, "We know too well that our freedom is incomplete without the freedom of the Palestinians." The background is a textured concrete surface, and there are some graffiti elements in red. The scene suggests themes of solidarity and freedom, particularly regarding the Palestinian struggle. Gaza-Israel “The bloodbath in Palestine is similar to those committed during colonisation in Africa” Raouf Farrah
  • The image depicts a formal ceremony where two men are exchanging a green plaque or certificate. One man is dressed in traditional Saudi attire, including a thobe and a headscarf, while the other is wearing a blue suit. In the background, there is an airplane flying and a group of people holding a banner, possibly in connection to a pilgrimage or religious gathering. The overall tone suggests a celebration or accomplishment related to travel or cooperation, likely involving Saudi Arabia. Between Burundi and Saudi Arabia, the good business of human trafficking Africa Uncensored, La Rédaction, Ukweli Coalition Media Hub
  • The image depicts a statue, likely an elephant, that is visibly weathered and covered in numerous political posters and flyers. These posters, in various colors, are peeling and overlapping, suggesting a history of political campaigns or events. The statue is situated in an outdoor area, surrounded by greenery and a fence in the background. The overall scene conveys a sense of urban life and the passage of time through the accumulation of posters. Mali, Burkina Faso, Niger... The end of political pluralism Wendyam Hervé Lankoandé
  • The image depicts a scene where a young man is on his knees, appearing to be in a moment of distress or surrender. He is surrounded by coils of barbed wire on the ground. In the background, there are several individuals observing the situation, some appearing to be standing casually while others are more focused on what is happening. The setting looks to be an outdoor area, possibly a street, with greenery in the background. The overall atmosphere seems tense and conveys a sense of conflict or protest. Exposing a $2B Scam, Stranded in Exile: Kenya’s Whistleblower Trap Robert Amalemba
  • The image showcases a breathtaking landscape featuring lush green hills and a large lake. The hills are gently sloped and dotted with patches of vegetation, indicating a fertile area. In the foreground, there are scattered houses or structures, while the calm waters of the lake reflect the surrounding scenery. In the background, more mountainous terrain rises, adding depth to the view under a slightly overcast sky. The overall atmosphere is serene and picturesque, highlighting the natural beauty of the region. Rwanda : The former colonizer confronts forgotten truths about the Great Lakes Colette Braeckman
  • The image depicts a large gathering of people in a vibrant setting, likely representing a celebration or demonstration. Crowds are tightly packed together, with some individuals holding colorful flags, possibly indicating a cultural or political event. One person stands out in the center, engaging the crowd, which looks enthusiastic and expressive. The mood appears lively, with a sense of unity among the participants. Various expressions and clothing styles suggest a diverse group, reflecting a shared purpose or message. An umbrella can be seen, hinting at the weather conditions. Overall, it captures a moment of collective energy and communal spirit. Ethiopia. In Tigray, ’no one wants to return to war’ Augustine Passilly
  • The image depicts a scene of armed soldiers in a public area. The soldiers are wearing camouflage uniforms and helmets, some with face coverings, and are equipped with rifles. In the background, there are additional soldiers on a vehicle. The atmosphere appears to be tense, with a gathering of civilians present as well, some taking photographs. There are trees and buildings in the background, suggesting an urban setting. Overall, the scene conveys a strong military presence. Burkina Faso. The State’s Production of Violence Tanguy Quidelleur
  • The image depicts a communal setting, likely a gathering or an event. In the foreground, a woman, dressed in a white top and a patterned shawl, raises her hands as if in prayer or meditation, demonstrating a moment of reverence or reflection. She appears focused and engaged in her spiritual practice. In the background, a variety of people are present, including individuals standing and others seated, indicating a diverse group participating in this activity. The interior of the space has wooden beams and a rustic charm, illuminated by soft lighting. The overall atmosphere seems to be one of community and spiritual connection. From the U.S. to Nigeria: How a ‘Christian Genocide’ Narrative Is Being Manufactured Marc-Antoine Pérouse de Montclos
  • The image features three illustrated book covers, each depicting a different African leader: 1. **Mobutu**: The cover is titled "Histoire du Zaire" and shows Mobutu Sese Seko, characterized by his leopard-skin hat and colorful uniform. The background includes scenes of the country and social dynamics. 2. **Eyadema**: The second cover, titled "Histoire du Togo," portrays Gnassingbé Eyadéma, wearing a military uniform. The imagery suggests themes related to Togolese history and leadership. 3. **Kadhafi**: The third cover reads "Histoire de la Révolution Libyenne" and features Muammar Gaddafi, depicted with a serious expression amidst scenes of revolution and cultural symbols. Overall, the illustrations highlight the leaders' roles and historical contexts in their respective countries, with bold colors and graphic styles. “Once upon a time...” French Comics at the Service of Dictatorships Kalidou Sy
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Conflicts + more

  • The image depicts a scene where two men are engaged in an activity involving a large sack. One man, wearing a blue coat, appears to be operating a scale or a weighing device to measure the weight of the sack being lifted by another man in a black shirt. The background shows a street with several structures and vehicles, suggesting a marketplace or an industrial area. There are also other people and containers visible in the background, contributing to the bustling atmosphere of the scene. Corruption, theft, murder... In eastern DRC, cocoa finances chaos La Rédaction, Ukweli Coalition Media Hub, Africa Uncensored
  • The image depicts a scene of armed soldiers in a public area. The soldiers are wearing camouflage uniforms and helmets, some with face coverings, and are equipped with rifles. In the background, there are additional soldiers on a vehicle. The atmosphere appears to be tense, with a gathering of civilians present as well, some taking photographs. There are trees and buildings in the background, suggesting an urban setting. Overall, the scene conveys a strong military presence. Burkina Faso. The State’s Production of Violence Tanguy Quidelleur
  • The image depicts a crowded scene in an outdoor setting, likely a market or gathering place. People are seen collecting water from yellow jerry cans, some of which are stacked nearby. The atmosphere appears busy and somewhat chaotic, with individuals interacting and engaging in various activities. There are motorcycles and umbrellas visible, suggesting a warm, sunny environment. The ground is littered with debris, indicating a lack of cleanliness in the area. The background features buildings and trees, contributing to the urban landscape. A month under the yoke of M23 in Goma Hakim Maludi

Economy + more

  • The image features a figure wearing a white shirt with vibrant colors and a design on the back. The background includes repeated images of a man, possibly a political figure, smiling and wearing a hat with a logo. The overall color scheme is purple, enhancing a dynamic atmosphere. The shirt's imagery suggests a message of confidence or defiance. In Burundi, a deeply desperate population and a regime on a knife edge Eric Nduwayo
  • The image features three prominent figures, each presented against a gradient background. On the left, there is a man with glasses and a serious expression. In the center, another man is depicted wearing a chain or medal, suggesting a position of authority or honor. The third figure, on the right, appears to be gesturing thoughtfully while dressed in a formal suit. The overall composition suggests themes of leadership and diplomacy. At Burundi’s border, war is approaching James Rufuku
  • L'image représente une scène de manifestation. Au premier plan, plusieurs personnes se rassemblent, certaines levant les bras. Un homme, au centre, tient une grande pancarte avec l'inscription "ABAS LA FRYCE" en lettres capitales. La foule semble engagée et énergique, exprimant une certaine frustration ou un message de contestation. L'ambiance est chargée d'émotion, avec des visages déterminés et des gestes expressifs, dans un cadre urbain qui suggère un lieu public. Les vêtements des manifestants varient, ajoutant à la diversité de la scène. Beyond “sentiment,” the reasons for France’s rejection in Africa Michael Pauron

Human Rights + more

  • The image features three prominent figures. One figure on the left is a man dressed in formal attire, raising one arm in a gesture that suggests defiance or empowerment. The central figure is an older man in a light blue blazer, appearing casual and confident as he walks. The figure on the right wears a military-style uniform with sunglasses, projecting authority. The background is a dark brown color, and the figures are outlined prominently. Étienne Davignon, last witness to Lumumba’s murder and King Baudouin’s gatekeeper Colette Braeckman
  • The image depicts a scene where a young man is on his knees, appearing to be in a moment of distress or surrender. He is surrounded by coils of barbed wire on the ground. In the background, there are several individuals observing the situation, some appearing to be standing casually while others are more focused on what is happening. The setting looks to be an outdoor area, possibly a street, with greenery in the background. The overall atmosphere seems tense and conveys a sense of conflict or protest. Exposing a $2B Scam, Stranded in Exile: Kenya’s Whistleblower Trap Robert Amalemba
  • The image depicts a protester holding a cardboard sign that reads "REJECT THE FINANCIAL BILL PUNNYASS." The individual is wearing a white shirt and has their hair styled in large, coiled forms. They are raising a fist in a gesture of defiance or solidarity, and are also wearing a mask over their face. The background includes other people and a busy street scene, suggesting a gathering or demonstration. Kenya. Despite enforced disappearances, Generation Z continues to challenge William Ruto Maina Waruru

History + more

  • The image showcases a breathtaking landscape featuring lush green hills and a large lake. The hills are gently sloped and dotted with patches of vegetation, indicating a fertile area. In the foreground, there are scattered houses or structures, while the calm waters of the lake reflect the surrounding scenery. In the background, more mountainous terrain rises, adding depth to the view under a slightly overcast sky. The overall atmosphere is serene and picturesque, highlighting the natural beauty of the region. Rwanda : The former colonizer confronts forgotten truths about the Great Lakes Colette Braeckman
  • The image features three illustrated book covers, each depicting a different African leader: 1. **Mobutu**: The cover is titled "Histoire du Zaire" and shows Mobutu Sese Seko, characterized by his leopard-skin hat and colorful uniform. The background includes scenes of the country and social dynamics. 2. **Eyadema**: The second cover, titled "Histoire du Togo," portrays Gnassingbé Eyadéma, wearing a military uniform. The imagery suggests themes related to Togolese history and leadership. 3. **Kadhafi**: The third cover reads "Histoire de la Révolution Libyenne" and features Muammar Gaddafi, depicted with a serious expression amidst scenes of revolution and cultural symbols. Overall, the illustrations highlight the leaders' roles and historical contexts in their respective countries, with bold colors and graphic styles. “Once upon a time...” French Comics at the Service of Dictatorships Kalidou Sy
  • The image appears to be a historic black-and-white photograph depicting two men engaged in a conversation. One man is wearing military camouflage and appears to be in a position of authority, while the other is also dressed in military attire. They are surrounded by a group of people, indicating a significant setting, possibly a public event or gathering. The expressions on their faces suggest a serious discussion. The context hints at a moment of political or military importance, likely related to South Africa's history. Joe Modise. 30 years heading the army which defeated apartheid Victoria Brittain

Politics + more

  • The image depicts a large gathering of people in a vibrant setting, likely representing a celebration or demonstration. Crowds are tightly packed together, with some individuals holding colorful flags, possibly indicating a cultural or political event. One person stands out in the center, engaging the crowd, which looks enthusiastic and expressive. The mood appears lively, with a sense of unity among the participants. Various expressions and clothing styles suggest a diverse group, reflecting a shared purpose or message. An umbrella can be seen, hinting at the weather conditions. Overall, it captures a moment of collective energy and communal spirit. Ethiopia. In Tigray, ’no one wants to return to war’ Augustine Passilly
  • The image depicts a scene from a polling station during a parliamentary election. A man, likely an election official, is holding up a ballot sheet for voters to see. In front of him is a transparent box labeled "PARLIAMENTARY ELECTIONS," suggesting it's used for collecting votes. In the background, several people are gathered, observing the process, while some focus on the official. The setting appears to be outdoors, possibly in a community area, and there's a sense of engagement and participation in the democratic process. Conflict and Democracy: Africa’s Dilemma Souleymane Yameogo
  • The image shows a scene set in an ornate room. A military officer, dressed in camouflage with a green beret, is smiling and appears to be interacting with another individual. The background features decorative elements, including curtains and flags, likely representing Gabon or an official entity. There are also books and documents in the hands of a person standing to the left, indicating a formal context, possibly a meeting or ceremony. The overall atmosphere seems official and ceremonial. In Gabon, ‘Oligui Nguema has been campaigning since his coup d’état’ by Joseph Tonda Michael Pauron
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