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  • Home
  • Themes
    • History
    • Neo-colonialism
    • Conflicts
    • Economy
    • Jihadism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
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  • Countries
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    • Afrique australe
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  • [Reporting Niger–Libya–Chad. At the tri-border, a fragile coexistence Ahatane Ag, Amaury Hauchard
  • Attacks in Mali. “A monumental shock in Malian history” Michael Pauron, Yvan Guichaoua
  • Eastern DR Congo: a cut-price peace and a muzzled press Colette Braeckman
  • War in Iran: the Maghreb stops short of condemning the United States Khadija Mohsen-Finan
  • Sudanese civil war. The Nuba Mountains caught up in the fighting Buster Emil Kirchner, Marco Simoncelli
  • Mahmood Mamdani. “That narrative captures one side of Idi Amin” Victoria Brittain
  • Guinea’s bauxite boom: prosperity promised, fractures deepened Ludivine Blazy
  • Senegal’s Hidden Debt and the IMF’s Blind Spots Fanny Pigeaud
  • In Sicily, the Fall reclaim control of the narrative on exile Julie Déléant
  • How Kenya’s Seed Ruling Freed Indigenous Farmers from Fear Robert Amalemba
  • Sudan. The Kadamoul, a Social and Political Symbol Fouad Ibrahim Shousha, Louise Aurat
  • DRC: The M23 occupation, one year on In Goma, civilians caught between an armed group and an absent state International Crisis Group, Richard Moncrieff
+ All Afrique XXI articles

Read on Orient XXI

  • Sowing Ruin. Erasure as an Israeli Strategy Ziad Majed · 12 mai
  • Australia caught off-guard by the Middle East war Carine Kibili-Waisman · 11 mai
  • Jordan. Al-Ramtha, the life and death of a city on the Syrian border Moumen Milkawi, Ammar Ahmed Al-Shouqairi · 10 mai
  • “How do Gazans vote after the genocide  ?” Rami Abou Jamous · 10 mai
  • Pakistan, Afghanistan. Why is the “Durand Line” on fire  ? Georges Lefeuvre · 4 mai
  • Kurds and Yazidis trapped between Iraq and Syria Fouad el-Hassan · 30 avril

Economy + more

  • Niger–Libya–Chad. At the tri-border, a fragile coexistence Amaury Hauchard, Ahatane Ag
  • Senegal’s Hidden Debt and the IMF’s Blind Spots Fanny Pigeaud
  • How Kenya’s Seed Ruling Freed Indigenous Farmers from Fear Robert Amalemba

Conflicts + more

  • War in Iran: the Maghreb stops short of condemning the United States Khadija Mohsen-Finan
  • The image depicts a scene where two men are engaged in an activity involving a large sack. One man, wearing a blue coat, appears to be operating a scale or a weighing device to measure the weight of the sack being lifted by another man in a black shirt. The background shows a street with several structures and vehicles, suggesting a marketplace or an industrial area. There are also other people and containers visible in the background, contributing to the bustling atmosphere of the scene. Corruption, theft, murder... In eastern DRC, cocoa finances chaos La Rédaction, Ukweli Coalition Media Hub, Africa Uncensored
  • The image depicts a scene of armed soldiers in a public area. The soldiers are wearing camouflage uniforms and helmets, some with face coverings, and are equipped with rifles. In the background, there are additional soldiers on a vehicle. The atmosphere appears to be tense, with a gathering of civilians present as well, some taking photographs. There are trees and buildings in the background, suggesting an urban setting. Overall, the scene conveys a strong military presence. Burkina Faso. The State’s Production of Violence Tanguy Quidelleur

Politics + more

  • Sudanese civil war. The Nuba Mountains caught up in the fighting Marco Simoncelli, Buster Emil Kirchner
  • Sudan. The Kadamoul, a Social and Political Symbol Louise Aurat, Fouad Ibrahim Shousha
  • In Goma, civilians caught between an armed group and an absent state Richard Moncrieff, International Crisis Group

History + more

  • The image depicts a serene river scene with gentle flowing water. It features several rocky outcrops along the riverbank, where a few figures are engaged in fishing. The landscape is lush with grasses and a mix of plant life, suggesting a natural and tranquil environment. The colors are soft and soothing, with shades of blue and green dominating the water, while warmer tones are present in the surrounding foliage. The overall atmosphere conveys a sense of peace and connection to nature. ‘The Panorama of Congo’ : A Colonial-Era Fake News Finally Unmasked Colette Braeckman
  • The image showcases a breathtaking landscape featuring lush green hills and a large lake. The hills are gently sloped and dotted with patches of vegetation, indicating a fertile area. In the foreground, there are scattered houses or structures, while the calm waters of the lake reflect the surrounding scenery. In the background, more mountainous terrain rises, adding depth to the view under a slightly overcast sky. The overall atmosphere is serene and picturesque, highlighting the natural beauty of the region. Rwanda : The former colonizer confronts forgotten truths about the Great Lakes Colette Braeckman
  • The image features three illustrated book covers, each depicting a different African leader: 1. **Mobutu**: The cover is titled "Histoire du Zaire" and shows Mobutu Sese Seko, characterized by his leopard-skin hat and colorful uniform. The background includes scenes of the country and social dynamics. 2. **Eyadema**: The second cover, titled "Histoire du Togo," portrays Gnassingbé Eyadéma, wearing a military uniform. The imagery suggests themes related to Togolese history and leadership. 3. **Kadhafi**: The third cover reads "Histoire de la Révolution Libyenne" and features Muammar Gaddafi, depicted with a serious expression amidst scenes of revolution and cultural symbols. Overall, the illustrations highlight the leaders' roles and historical contexts in their respective countries, with bold colors and graphic styles. “Once upon a time...” French Comics at the Service of Dictatorships Kalidou Sy

Human Rights + more

  • The image features a man in a suit and a cap, gesturing while speaking at a press conference or similar setting. He appears to be in front of a landscape of rolling hills or mountains, which are shown in a monochrome style to highlight the subject. The background scenery emphasizes the natural environment, contrasting with the formal attire of the man, who seems to be making an important point. The overall composition combines elements of nature and a formal discussion. DR Congo. Roger Lumbala and the “erasers” of Ituri and North Kivu Justice Lola Collombat
  • The image shows two people inside a vehicle. One person, likely wearing a blonde wig and sunglasses, leans towards the other, who has a beard and a concerned expression. The setting appears casual and slightly cramped, with a background that suggests they are parked in a busy area. The overall mood seems tense or serious, as both individuals have focused looks on their faces. Colonialism, racism, gender... ’Le Rire et le Couteau’ breaks the mold in Guinea-Bissau Jean Stern
  • The image features three prominent figures. One figure on the left is a man dressed in formal attire, raising one arm in a gesture that suggests defiance or empowerment. The central figure is an older man in a light blue blazer, appearing casual and confident as he walks. The figure on the right wears a military-style uniform with sunglasses, projecting authority. The background is a dark brown color, and the figures are outlined prominently. Étienne Davignon, last witness to Lumumba’s murder and King Baudouin’s gatekeeper Colette Braeckman
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