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  • The image appears to show a man speaking at a ceremonial or public event outdoors, likely in Ethiopia. He is wearing sunglasses and has a serious expression. The background features a large stage, decorated with colorful flags, possibly representing Ethiopia. There is a crowd of people seated in front of the stage, indicating that this is a significant gathering. The event seems to be celebratory and possibly related to national pride or development. Op-Ed Ethiopia: A Dam Inaugurated, but What Kind of Renaissance? Mehdi Labzaé
  • The image shows a group of individuals in formal attire, likely in a courtroom or legal setting. Two prominent figures in the foreground are seated, dressed in traditional attire. The person on the left wears a white outfit and a hat, while the individual on the right is in an aqua-colored garment with a distinctive headpiece. Behind them, several people are standing, some in legal robes, suggesting a gathering of lawyers or officials. The atmosphere appears serious and formal, indicating an important event or proceedings. Biya-Kamto: Missed face-to-face in Cameroon Jean-Bruno Tagne
  • The image features a sign marking the entrance to the Virunga National Park. The sign displays the park's name in both French and English, showcasing the emblem of the park, which includes an illustration of a gorilla. The surroundings seem to depict a rural area, with a road leading away from the entrance and a building visible in the background. The overall atmosphere suggests an area of natural beauty and wildlife conservation. DR Congo. Virunga Park, a Century of Green Colonialism and Armed Rebellions Colette Braeckman
  • The image shows two people inside a vehicle. One person, likely wearing a blonde wig and sunglasses, leans towards the other, who has a beard and a concerned expression. The setting appears casual and slightly cramped, with a background that suggests they are parked in a busy area. The overall mood seems tense or serious, as both individuals have focused looks on their faces. Colonialism, racism, gender... ’Le Rire et le Couteau’ breaks the mold in Guinea-Bissau Jean Stern
  • The image features a vast landscape under a cloudy sky, with the sun partially obscured by clouds, casting a soft light across the scene. The ground is dry and dusty, with patches of bare earth and sparse vegetation, including small plants and grasses. In the foreground, a path or trail diverges, leading into the distance, suggesting a sense of exploration in this open, natural environment. The overall tone is tranquil and somewhat desolate, evoking a sense of solitude in nature. “No Peace, No Bread”: Northern Togo in the Grip of a Three-year State of Emergency Robert Kanssouguibe Douti
  • The image shows a group of people standing with their backs to the camera, all wearing matching colorful jackets that feature the Kenyan flag and an artistic design of traditional Kenyan symbols. They have their hands raised in a peace sign gesture, indicating solidarity and protest. The text "HE MUST GO" is prominently displayed on the back of each jacket, suggesting a strong political message. In the background, there are buildings and a crowd, indicating that this is likely taking place in a public demonstration or rally. The Tax Revolt Returns—Ruto’s Paranoia vs. Gen Z’s Resistance Robert Amalemba
  • The image depicts a scene where two men are engaged in an activity involving a large sack. One man, wearing a blue coat, appears to be operating a scale or a weighing device to measure the weight of the sack being lifted by another man in a black shirt. The background shows a street with several structures and vehicles, suggesting a marketplace or an industrial area. There are also other people and containers visible in the background, contributing to the bustling atmosphere of the scene. Corruption, theft, murder... In eastern DRC, cocoa finances chaos Africa Uncensored, La Rédaction, Ukweli Coalition Media Hub
  • The image features a figure wearing a white shirt with vibrant colors and a design on the back. The background includes repeated images of a man, possibly a political figure, smiling and wearing a hat with a logo. The overall color scheme is purple, enhancing a dynamic atmosphere. The shirt's imagery suggests a message of confidence or defiance. In Burundi, a deeply desperate population and a regime on a knife edge Eric Nduwayo
  • The image features three prominent figures. One figure on the left is a man dressed in formal attire, raising one arm in a gesture that suggests defiance or empowerment. The central figure is an older man in a light blue blazer, appearing casual and confident as he walks. The figure on the right wears a military-style uniform with sunglasses, projecting authority. The background is a dark brown color, and the figures are outlined prominently. Étienne Davignon, last witness to Lumumba’s murder and King Baudouin’s gatekeeper Colette Braeckman
  • The image depicts a mural on a concrete wall, featuring a portrait of a man with gray hair and a thoughtful expression. The mural also includes a quote attributed to Nelson Mandela that reads, "We know too well that our freedom is incomplete without the freedom of the Palestinians." The background is a textured concrete surface, and there are some graffiti elements in red. The scene suggests themes of solidarity and freedom, particularly regarding the Palestinian struggle. Gaza-Israel “The bloodbath in Palestine is similar to those committed during colonisation in Africa” Raouf Farrah
  • The image depicts a formal ceremony where two men are exchanging a green plaque or certificate. One man is dressed in traditional Saudi attire, including a thobe and a headscarf, while the other is wearing a blue suit. In the background, there is an airplane flying and a group of people holding a banner, possibly in connection to a pilgrimage or religious gathering. The overall tone suggests a celebration or accomplishment related to travel or cooperation, likely involving Saudi Arabia. Between Burundi and Saudi Arabia, the good business of human trafficking Africa Uncensored, La Rédaction, Ukweli Coalition Media Hub
  • The image depicts a statue, likely an elephant, that is visibly weathered and covered in numerous political posters and flyers. These posters, in various colors, are peeling and overlapping, suggesting a history of political campaigns or events. The statue is situated in an outdoor area, surrounded by greenery and a fence in the background. The overall scene conveys a sense of urban life and the passage of time through the accumulation of posters. Mali, Burkina Faso, Niger... The end of political pluralism Wendyam Hervé Lankoandé
+ All Afrique XXI articles

Read on Orient XXI

  • Palestine. In New York, international law subverted Rafaëlle Maison · 11 septembre
  • “This time, there’s no Plan B” Rami Abou Jamous · 4 septembre
  • The illusion of a democratic opposition in Israel Nitzan Perelman Becker · 1er septembre
  • Youssef, 16, survived a summary execution Rami Abou Jamous · 24 août
  • Tunisia. In Soccer stadiums, the resistance of Ultras groups Chaker Jahmi · 23 août
  • A Gaza “hanthology” at the Sharjah Biennial Lina Attalah · 18 août

Human Rights + more

  • The image shows two people inside a vehicle. One person, likely wearing a blonde wig and sunglasses, leans towards the other, who has a beard and a concerned expression. The setting appears casual and slightly cramped, with a background that suggests they are parked in a busy area. The overall mood seems tense or serious, as both individuals have focused looks on their faces. Colonialism, racism, gender... ’Le Rire et le Couteau’ breaks the mold in Guinea-Bissau Jean Stern
  • The image features three prominent figures. One figure on the left is a man dressed in formal attire, raising one arm in a gesture that suggests defiance or empowerment. The central figure is an older man in a light blue blazer, appearing casual and confident as he walks. The figure on the right wears a military-style uniform with sunglasses, projecting authority. The background is a dark brown color, and the figures are outlined prominently. Étienne Davignon, last witness to Lumumba’s murder and King Baudouin’s gatekeeper Colette Braeckman
  • The image depicts a scene where a young man is on his knees, appearing to be in a moment of distress or surrender. He is surrounded by coils of barbed wire on the ground. In the background, there are several individuals observing the situation, some appearing to be standing casually while others are more focused on what is happening. The setting looks to be an outdoor area, possibly a street, with greenery in the background. The overall atmosphere seems tense and conveys a sense of conflict or protest. Exposing a $2B Scam, Stranded in Exile: Kenya’s Whistleblower Trap Robert Amalemba

Economy + more

  • The image features a vast landscape under a cloudy sky, with the sun partially obscured by clouds, casting a soft light across the scene. The ground is dry and dusty, with patches of bare earth and sparse vegetation, including small plants and grasses. In the foreground, a path or trail diverges, leading into the distance, suggesting a sense of exploration in this open, natural environment. The overall tone is tranquil and somewhat desolate, evoking a sense of solitude in nature. “No Peace, No Bread”: Northern Togo in the Grip of a Three-year State of Emergency Robert Kanssouguibe Douti
  • The image features a figure wearing a white shirt with vibrant colors and a design on the back. The background includes repeated images of a man, possibly a political figure, smiling and wearing a hat with a logo. The overall color scheme is purple, enhancing a dynamic atmosphere. The shirt's imagery suggests a message of confidence or defiance. In Burundi, a deeply desperate population and a regime on a knife edge Eric Nduwayo
  • The image features three prominent figures, each presented against a gradient background. On the left, there is a man with glasses and a serious expression. In the center, another man is depicted wearing a chain or medal, suggesting a position of authority or honor. The third figure, on the right, appears to be gesturing thoughtfully while dressed in a formal suit. The overall composition suggests themes of leadership and diplomacy. At Burundi’s border, war is approaching James Rufuku

Politics + more

  • The image shows a group of people standing with their backs to the camera, all wearing matching colorful jackets that feature the Kenyan flag and an artistic design of traditional Kenyan symbols. They have their hands raised in a peace sign gesture, indicating solidarity and protest. The text "HE MUST GO" is prominently displayed on the back of each jacket, suggesting a strong political message. In the background, there are buildings and a crowd, indicating that this is likely taking place in a public demonstration or rally. The Tax Revolt Returns—Ruto’s Paranoia vs. Gen Z’s Resistance Robert Amalemba
  • The image depicts a large gathering of people in a vibrant setting, likely representing a celebration or demonstration. Crowds are tightly packed together, with some individuals holding colorful flags, possibly indicating a cultural or political event. One person stands out in the center, engaging the crowd, which looks enthusiastic and expressive. The mood appears lively, with a sense of unity among the participants. Various expressions and clothing styles suggest a diverse group, reflecting a shared purpose or message. An umbrella can be seen, hinting at the weather conditions. Overall, it captures a moment of collective energy and communal spirit. Ethiopia. In Tigray, ’no one wants to return to war’ Augustine Passilly
  • The image depicts a scene from a polling station during a parliamentary election. A man, likely an election official, is holding up a ballot sheet for voters to see. In front of him is a transparent box labeled "PARLIAMENTARY ELECTIONS," suggesting it's used for collecting votes. In the background, several people are gathered, observing the process, while some focus on the official. The setting appears to be outdoors, possibly in a community area, and there's a sense of engagement and participation in the democratic process. Conflict and Democracy: Africa’s Dilemma Souleymane Yameogo

Conflicts + more

  • The image depicts a scene where two men are engaged in an activity involving a large sack. One man, wearing a blue coat, appears to be operating a scale or a weighing device to measure the weight of the sack being lifted by another man in a black shirt. The background shows a street with several structures and vehicles, suggesting a marketplace or an industrial area. There are also other people and containers visible in the background, contributing to the bustling atmosphere of the scene. Corruption, theft, murder... In eastern DRC, cocoa finances chaos La Rédaction, Ukweli Coalition Media Hub, Africa Uncensored
  • The image depicts a scene of armed soldiers in a public area. The soldiers are wearing camouflage uniforms and helmets, some with face coverings, and are equipped with rifles. In the background, there are additional soldiers on a vehicle. The atmosphere appears to be tense, with a gathering of civilians present as well, some taking photographs. There are trees and buildings in the background, suggesting an urban setting. Overall, the scene conveys a strong military presence. Burkina Faso. The State’s Production of Violence Tanguy Quidelleur
  • The image depicts a crowded scene in an outdoor setting, likely a market or gathering place. People are seen collecting water from yellow jerry cans, some of which are stacked nearby. The atmosphere appears busy and somewhat chaotic, with individuals interacting and engaging in various activities. There are motorcycles and umbrellas visible, suggesting a warm, sunny environment. The ground is littered with debris, indicating a lack of cleanliness in the area. The background features buildings and trees, contributing to the urban landscape. A month under the yoke of M23 in Goma Hakim Maludi

History + more

  • The image showcases a breathtaking landscape featuring lush green hills and a large lake. The hills are gently sloped and dotted with patches of vegetation, indicating a fertile area. In the foreground, there are scattered houses or structures, while the calm waters of the lake reflect the surrounding scenery. In the background, more mountainous terrain rises, adding depth to the view under a slightly overcast sky. The overall atmosphere is serene and picturesque, highlighting the natural beauty of the region. Rwanda : The former colonizer confronts forgotten truths about the Great Lakes Colette Braeckman
  • The image features three illustrated book covers, each depicting a different African leader: 1. **Mobutu**: The cover is titled "Histoire du Zaire" and shows Mobutu Sese Seko, characterized by his leopard-skin hat and colorful uniform. The background includes scenes of the country and social dynamics. 2. **Eyadema**: The second cover, titled "Histoire du Togo," portrays Gnassingbé Eyadéma, wearing a military uniform. The imagery suggests themes related to Togolese history and leadership. 3. **Kadhafi**: The third cover reads "Histoire de la Révolution Libyenne" and features Muammar Gaddafi, depicted with a serious expression amidst scenes of revolution and cultural symbols. Overall, the illustrations highlight the leaders' roles and historical contexts in their respective countries, with bold colors and graphic styles. “Once upon a time...” French Comics at the Service of Dictatorships Kalidou Sy
  • The image appears to be a historic black-and-white photograph depicting two men engaged in a conversation. One man is wearing military camouflage and appears to be in a position of authority, while the other is also dressed in military attire. They are surrounded by a group of people, indicating a significant setting, possibly a public event or gathering. The expressions on their faces suggest a serious discussion. The context hints at a moment of political or military importance, likely related to South Africa's history. Joe Modise. 30 years heading the army which defeated apartheid Victoria Brittain
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