• Home
  • Themes
    • History
    • Neo-colonialism
    • Conflicts
    • Economy
    • Jihadism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
    • Politics
  • Countries
    • North Africa
    • Europe
    • United States
    • Asia
    • Afrique australe
    • Afrique de l’Ouest
    • Afrique de l’Est
    • Afrique centrale
  • Who are we?
  • Why this site?
  • The newsletter
  • Submit articles
  • Contact
  • Code of ethics
  • Legal information
  • Home
  • Themes
    • History
    • Neo-colonialism
    • Conflicts
    • Economy
    • Jihadism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
    • Politics
  • Countries
    • North Africa
    • Europe
    • United States
    • Asia
    • Afrique australe
    • Afrique de l’Ouest
    • Afrique de l’Est
    • Afrique centrale
Afrique XXI Countries

Afrique centrale

  • Tchad
  • Burundi
  • Gabon
  • République démocratique du Congo
  • The image shows a scene set in an ornate room. A military officer, dressed in camouflage with a green beret, is smiling and appears to be interacting with another individual. The background features decorative elements, including curtains and flags, likely representing Gabon or an official entity. There are also books and documents in the hands of a person standing to the left, indicating a formal context, possibly a meeting or ceremony. The overall atmosphere seems official and ceremonial. In Gabon, ‘Oligui Nguema has been campaigning since his coup d’état’ by Joseph Tonda Michael Pauron · 20 March
  • The image depicts a crowded scene in an outdoor setting, likely a market or gathering place. People are seen collecting water from yellow jerry cans, some of which are stacked nearby. The atmosphere appears busy and somewhat chaotic, with individuals interacting and engaging in various activities. There are motorcycles and umbrellas visible, suggesting a warm, sunny environment. The ground is littered with debris, indicating a lack of cleanliness in the area. The background features buildings and trees, contributing to the urban landscape. A month under the yoke of M23 in Goma Hakim Maludi · 3 March
  • The image features three prominent figures, each presented against a gradient background. On the left, there is a man with glasses and a serious expression. In the center, another man is depicted wearing a chain or medal, suggesting a position of authority or honor. The third figure, on the right, appears to be gesturing thoughtfully while dressed in a formal suit. The overall composition suggests themes of leadership and diplomacy. At Burundi’s border, war is approaching James Rufuku · 21 February
  • The image depicts a scene from a military operation involving United Nations peacekeepers. In the foreground, a military vehicle marked with "UN" is parked on a grassy area overlooking a landscape. Several soldiers in blue helmets, which signify their affiliation with the UN, are positioned around the vehicle. They appear to be surveying the area, which includes a view of a village with rooftops in the background. The atmosphere seems calm, with a cloudy sky adding to the setting. The soldiers' uniforms suggest they are part of a peacekeeping mission, emphasizing their role in maintaining stability in the region. In DR Congo, a Western vision perpetuates violence Christoph Vogel, Aymar Nyenyezi Bisoka · 20 January
  • The image depicts the entrance to a central prison, labeled "PRISON CENTRALE DE MAKALA." The scene shows a sandy area with a few people walking near the entrance. On the left, there is a booth or kiosk marked "JETON D'ACCÈS," and on the right, another booth labeled "ENTRÉE." In the background, there are trees and a clear blue sky with some clouds. A few vehicles are parked nearby, adding to the overall setting of the prison facility. Kinshasa’s Makala prison: incompetence brings women’s night terror Denis Augustin Samnick · December 2024
  • The image shows the exterior of a train station labeled "ESTAÇÃO DE BENGUELA." The building has a modern architectural design with large glass windows and a clean facade. In front of the station, a group of people, likely staff or passengers, are gathered. To the left, there is a sleek train parked on the tracks, showcasing a contemporary design. The scene is bright, indicating a clear blue sky. The overall setting suggests a bustling transportation hub. Angola-DRC. The ‘Lobito corridor’ at the heart of rivalries between China and the West Colette Braeckman · November 2024
  • L'image représente une scène de manifestation. Au premier plan, plusieurs personnes se rassemblent, certaines levant les bras. Un homme, au centre, tient une grande pancarte avec l'inscription "ABAS LA FRYCE" en lettres capitales. La foule semble engagée et énergique, exprimant une certaine frustration ou un message de contestation. L'ambiance est chargée d'émotion, avec des visages déterminés et des gestes expressifs, dans un cadre urbain qui suggère un lieu public. Les vêtements des manifestants varient, ajoutant à la diversité de la scène. Beyond “sentiment,” the reasons for France’s rejection in Africa Michael Pauron · November 2024
  • The image features a mural that includes a portrait of a man with glasses and a beard, identified as Patrice Lumumba. He is depicted in a colorful artistic style, wearing a yellow shirt. The mural may also include other figures or elements, but this particular part focuses on Lumumba's likeness alongside his name, highlighting his significance. The background is vibrant, contributing to the overall visual impact of the mural. DRC-USA. “Lumumba’s murder was an international tragedy” Victoria Brittain · October 2024
  • Code of ethics
  • Contact
  • Legal information
  • Submit articles
  • The newsletter
  • Who are we?
  • Why this site?
© Association Afrique XXI, 2013-2025 – 10, rue des Prairies, 75020 Paris, France – ISSN 2270-0978