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Afrique XXI Countries

Afrique de l’Ouest

  • Burkina Faso
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  • Women’s pens give a voice to those who leave. Ndèye Fatou Kane · 8 January
  • The image features two men, one of whom is John F. Kennedy, the President of the United States, and the other is likely Kwame Nkrumah, the first President of Ghana. They appear to be at a press conference or a formal meeting, with microphones in front of them. Behind them, there is a seal that represents the office of the President of the United States. Both men are dressed formally, with Kennedy in a suit and tie, and they are smiling, suggesting a cordial atmosphere. Nkumah’s epic from Ghana to Harlem Victoria Brittain · October 2025
  • The image shows two people inside a vehicle. One person, likely wearing a blonde wig and sunglasses, leans towards the other, who has a beard and a concerned expression. The setting appears casual and slightly cramped, with a background that suggests they are parked in a busy area. The overall mood seems tense or serious, as both individuals have focused looks on their faces. Colonialism, racism, gender... ’Le Rire et le Couteau’ breaks the mold in Guinea-Bissau Jean Stern · September 2025
  • The image features a vast landscape under a cloudy sky, with the sun partially obscured by clouds, casting a soft light across the scene. The ground is dry and dusty, with patches of bare earth and sparse vegetation, including small plants and grasses. In the foreground, a path or trail diverges, leading into the distance, suggesting a sense of exploration in this open, natural environment. The overall tone is tranquil and somewhat desolate, evoking a sense of solitude in nature. “No Peace, No Bread”: Northern Togo in the Grip of a Three-year State of Emergency Robert Kanssouguibe Douti · July 2025
  • The image depicts a mural on a concrete wall, featuring a portrait of a man with gray hair and a thoughtful expression. The mural also includes a quote attributed to Nelson Mandela that reads, "We know too well that our freedom is incomplete without the freedom of the Palestinians." The background is a textured concrete surface, and there are some graffiti elements in red. The scene suggests themes of solidarity and freedom, particularly regarding the Palestinian struggle. “The bloodbath in Palestine is similar to those committed during colonisation in Africa” Raouf Farrah · June 2025
  • The image depicts a statue, likely an elephant, that is visibly weathered and covered in numerous political posters and flyers. These posters, in various colors, are peeling and overlapping, suggesting a history of political campaigns or events. The statue is situated in an outdoor area, surrounded by greenery and a fence in the background. The overall scene conveys a sense of urban life and the passage of time through the accumulation of posters. Mali, Burkina Faso, Niger... The end of political pluralism Wendyam Hervé Lankoandé · June 2025
  • The image depicts a scene of armed soldiers in a public area. The soldiers are wearing camouflage uniforms and helmets, some with face coverings, and are equipped with rifles. In the background, there are additional soldiers on a vehicle. The atmosphere appears to be tense, with a gathering of civilians present as well, some taking photographs. There are trees and buildings in the background, suggesting an urban setting. Overall, the scene conveys a strong military presence. Burkina Faso. The State’s Production of Violence Tanguy Quidelleur · May 2025
  • The image depicts a communal setting, likely a gathering or an event. In the foreground, a woman, dressed in a white top and a patterned shawl, raises her hands as if in prayer or meditation, demonstrating a moment of reverence or reflection. She appears focused and engaged in her spiritual practice. In the background, a variety of people are present, including individuals standing and others seated, indicating a diverse group participating in this activity. The interior of the space has wooden beams and a rustic charm, illuminated by soft lighting. The overall atmosphere seems to be one of community and spiritual connection. From the U.S. to Nigeria: How a ‘Christian Genocide’ Narrative Is Being Manufactured Marc-Antoine Pérouse de Montclos · May 2025
  • The image depicts a rural landscape characterized by dry, barren land. There are patches of brown grass and sparse vegetation, indicating an arid environment. In the foreground, a small structure with a white roof sits alongside a dirt path. In the background, a few more buildings can be seen, scattered amidst the landscape. The atmosphere appears hazy, possibly due to dust or smoke, giving the scene a muted and subdued appearance. Sparse trees dot the area, and the overall setting suggests a remote, pastoral region. Togo. In the Oti-Kéran National Park, displaced people and refugees are trying to survive Robert Kanssouguibe Douti · March 2025
  • The image depicts a rural scene where several individuals are engaged in harvesting rice. In the foreground, one person is lifting a large bundle of straw or rice. In the background, a group of people can be seen working together, possibly stacking harvested straw into larger piles. The landscape appears to be an open field with golden, recently harvested rice plants scattered across the ground. The sky is overcast, suggesting a cloudy day. The atmosphere seems industrious, highlighting the communal effort in agricultural work. Senegal. Sovereignty Put to Test Without U.S. Aid Clément Bonnerot · March 2025
  • The image depicts a barren landscape characterized by a vast, empty stretch of land, likely a desert or arid region. The foreground features a dirt road that leads into the distance, flanked by dry, flat terrain. The sky overhead is clear and blue, creating a stark contrast with the earthy tones of the ground. The overall scene conveys a sense of isolation and openness, typical of remote, dry environments. Hostage, witnesses, journalist: Olivier Dubois Talks about AI-Qaeda in the Islamic Maghreb Nathalie Prévost · January 2025
  • The image shows a person walking through the entrance of "Cimetière Militaire de Thiaroye," a military cemetery. The archway is prominently displayed, with the name of the cemetery written above. On either side of the entrance, there are colorful flags painted on the walls. The person in the foreground is carrying a large container on their head, and the scene is partly illuminated by natural light, surrounded by palm trees and greenery. The sky is overcast, giving a muted ambiance to the setting. Thiaroye 1944. The Final Shadows of a Colonial Massacre Clair Rivière · November 2024
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