• Home
  • Themes
    • History
    • Neo-colonialism
    • Conflicts
    • Economy
    • Jihadism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
    • Politics
  • Countries
    • North Africa
    • Europe
    • United States
    • Asia
    • Afrique australe
    • Afrique de l’Ouest
    • Afrique de l’Est
    • Afrique centrale
  • Who are we?
  • Why this site?
  • The newsletter
  • Submit articles
  • Contact
  • Code of ethics
  • Legal information
  • Home
  • Themes
    • History
    • Neo-colonialism
    • Conflicts
    • Economy
    • Jihadism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
    • Politics
  • Countries
    • North Africa
    • Europe
    • United States
    • Asia
    • Afrique australe
    • Afrique de l’Ouest
    • Afrique de l’Est
    • Afrique centrale
Afrique XXI

UNO

  • The image depicts a crowded scene in an outdoor setting, likely a market or gathering place. People are seen collecting water from yellow jerry cans, some of which are stacked nearby. The atmosphere appears busy and somewhat chaotic, with individuals interacting and engaging in various activities. There are motorcycles and umbrellas visible, suggesting a warm, sunny environment. The ground is littered with debris, indicating a lack of cleanliness in the area. The background features buildings and trees, contributing to the urban landscape. A month under the yoke of M23 in Goma Hakim Maludi · 3 March
  • The image shows a formal scene at an airport where a group of people is gathered, likely to welcome a dignitary or a visitor. In the foreground, two men are shaking hands; one is dressed in military camouflage, and the other is in a formal suit. Around them, there are officials in uniform and business attire lined up, indicating a significant or ceremonial occasion. The setting seems to be sunny, contributing to a positive atmosphere. In Haiti, Kenyan police officers between anger and powerlessness Maina Waruru · 6 January
  • The image depicts the entrance to a central prison, labeled "PRISON CENTRALE DE MAKALA." The scene shows a sandy area with a few people walking near the entrance. On the left, there is a booth or kiosk marked "JETON D'ACCÈS," and on the right, another booth labeled "ENTRÉE." In the background, there are trees and a clear blue sky with some clouds. A few vehicles are parked nearby, adding to the overall setting of the prison facility. Kinshasa’s Makala prison: incompetence brings women’s night terror Denis Augustin Samnick · December 2024
  • The image features a mural that includes a portrait of a man with glasses and a beard, identified as Patrice Lumumba. He is depicted in a colorful artistic style, wearing a yellow shirt. The mural may also include other figures or elements, but this particular part focuses on Lumumba's likeness alongside his name, highlighting his significance. The background is vibrant, contributing to the overall visual impact of the mural. DRC-USA. “Lumumba’s murder was an international tragedy” Victoria Brittain · October 2024
  • Code of ethics
  • Contact
  • Legal information
  • Submit articles
  • The newsletter
  • Who are we?
  • Why this site?
© Association Afrique XXI, 2013-2025 – 7, rue des Carmes, Paris, France – ISSN 2270-0978