• Home
  • Themes
    • History
    • Neo-colonialism
    • Conflicts
    • Economy
    • Jihadism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
    • Politics
  • Countries
    • North Africa
    • Europe
    • United States
    • Asia
    • Afrique australe
    • Afrique de l’Ouest
    • Afrique de l’Est
    • Afrique centrale
  • Who are we?
  • Why this site?
  • The newsletter
  • Submit articles
  • Contact
  • Code of ethics
  • Legal information
  • Home
  • Themes
    • History
    • Neo-colonialism
    • Conflicts
    • Economy
    • Jihadism
    • Media
    • Human Rights
    • Societies
    • Environment
    • Culture
    • International Relations
    • Politics
  • Countries
    • North Africa
    • Europe
    • United States
    • Asia
    • Afrique australe
    • Afrique de l’Ouest
    • Afrique de l’Est
    • Afrique centrale
Afrique XXI Themes > Politics

Politique

  • The image depicts the entrance to a central prison, labeled "PRISON CENTRALE DE MAKALA." The scene shows a sandy area with a few people walking near the entrance. On the left, there is a booth or kiosk marked "JETON D'ACCÈS," and on the right, another booth labeled "ENTRÉE." In the background, there are trees and a clear blue sky with some clouds. A few vehicles are parked nearby, adding to the overall setting of the prison facility. Kinshasa’s Makala prison: incompetence brings women’s night terror Denis Augustin Samnick · December 2024
  • L'image représente une scène de manifestation. Au premier plan, plusieurs personnes se rassemblent, certaines levant les bras. Un homme, au centre, tient une grande pancarte avec l'inscription "ABAS LA FRYCE" en lettres capitales. La foule semble engagée et énergique, exprimant une certaine frustration ou un message de contestation. L'ambiance est chargée d'émotion, avec des visages déterminés et des gestes expressifs, dans un cadre urbain qui suggère un lieu public. Les vêtements des manifestants varient, ajoutant à la diversité de la scène. Beyond “sentiment,” the reasons for France’s rejection in Africa Michael Pauron · November 2024
  • The image features a formal gathering of a group of individuals, likely in a ceremonial setting. They are wearing traditional attire, which includes colorful robes adorned with striped and patterned elements. Many of them are also wearing distinctive hats or headgear. The setting appears to be well-decorated, possibly for an official event, with a red carpet and banners or decorations in the background. A few individuals stand out in military or official uniforms, suggesting a mix of civilian and military presence at the event. Back to square one for justice in Burkina Faso Malik Kassongué · November 2024
  • The image features a mural that includes a portrait of a man with glasses and a beard, identified as Patrice Lumumba. He is depicted in a colorful artistic style, wearing a yellow shirt. The mural may also include other figures or elements, but this particular part focuses on Lumumba's likeness alongside his name, highlighting his significance. The background is vibrant, contributing to the overall visual impact of the mural. DRC-USA. “Lumumba’s murder was an international tragedy” Victoria Brittain · October 2024
0 | 12
  • Code of ethics
  • Contact
  • Legal information
  • Submit articles
  • The newsletter
  • Who are we?
  • Why this site?
© Association Afrique XXI, 2013-2026 – 10, rue des Prairies, 75020 Paris, France – ISSN 2270-0978